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Artist:Maxime Lalanne (French, 1827-1886)
Title:The Tower of Montalban, Amsterdam
Medium:Original hand pulled copper plate etching on wove paper.
Year: 1884
Signature: Signed in the plate, lower right.
Dimensions:Image5 3/8 x 8 5/8 inches.
Framed dimensions:Image15 x 18 1/4 inches.
Framing:This piece has been professionally matted and framed using all new materials.
Additional notes:
This is not a modern print. This is an original Maxime Lalanne etching. This impression is more than 130 years old. The strike is crisp and the lines are sharp.Extra Information:A canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores.
Artist Biography:François Antoine \"Maxime Lalanne\" was a French artist known for his etchings and charcoal drawings (fusain). Lalanne\'s print debut was in 1853—in lithography rather than etching. Lalanne began etching for Alfred Cadart in 1862 as one of the founding members of Cadart\'s 160-member Société des Aquafortistes (formed in September 1862), and his work was among the first published and distributed by the Société – Rue des Marmousets (published in November 1862 as plate 15). Lalanne made his etching debut at the Salon in 1863, submitting three street scenes (all of which would appear in Cadart publications). Lalanne\'s etchings struck a chord. He received awards from the Salon for etching in 1866, 1873 (3ème classe), 1874 (3éme classe) and was decorated as Chevalier de la Légion d’Honneur in 1875. He was also knighted as Chevalier of the Order of Christ by King Fernando of Portugal (who, perhaps not surprisingly, was one of the 160 members of Cadart\'s Société des Aquafortistes). Lalanne arrived on the scene at an opportune moment, for both himself and for the Cadart publishing house. During the 20-year period in which they worked together (from 1862 to 1881), Lalanne produced over 145 etchings, and the Cadart house issued over 80 of them (often more than once) in numerous Cadart publications. While the impressionists were rebelling against artistic convention and the Salon, Lalanne remained ever faithful to it, and the Salon accepted and exhibited over 120 etchings by Lalanne from 1863 to 1886. It was because of this loyalty (and the resulting friendships) that Lalanne continued to be a member of the jury of the Salon, for painting, even (according to Marionneau) after illness prevented his full participation.
Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described
Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges.
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